magictransistor:

Edvard Munch. Woodcuts. Woman’s Head Against the Shore, Melancholy II, Evening Melancholy II, Woman on the Shore II, Encounter in Space, Woman on the Shore I, Two Human Beings The Lonely Ones, Manbathing, The Girls on the Bridge, Towards the Forest II (top to bottom). 1890s-1920.
magictransistor:

Edvard Munch. Woodcuts. Woman’s Head Against the Shore, Melancholy II, Evening Melancholy II, Woman on the Shore II, Encounter in Space, Woman on the Shore I, Two Human Beings The Lonely Ones, Manbathing, The Girls on the Bridge, Towards the Forest II (top to bottom). 1890s-1920.
magictransistor:

Edvard Munch. Woodcuts. Woman’s Head Against the Shore, Melancholy II, Evening Melancholy II, Woman on the Shore II, Encounter in Space, Woman on the Shore I, Two Human Beings The Lonely Ones, Manbathing, The Girls on the Bridge, Towards the Forest II (top to bottom). 1890s-1920.
magictransistor:

Edvard Munch. Woodcuts. Woman’s Head Against the Shore, Melancholy II, Evening Melancholy II, Woman on the Shore II, Encounter in Space, Woman on the Shore I, Two Human Beings The Lonely Ones, Manbathing, The Girls on the Bridge, Towards the Forest II (top to bottom). 1890s-1920.
magictransistor:

Edvard Munch. Woodcuts. Woman’s Head Against the Shore, Melancholy II, Evening Melancholy II, Woman on the Shore II, Encounter in Space, Woman on the Shore I, Two Human Beings The Lonely Ones, Manbathing, The Girls on the Bridge, Towards the Forest II (top to bottom). 1890s-1920.
magictransistor:

Edvard Munch. Woodcuts. Woman’s Head Against the Shore, Melancholy II, Evening Melancholy II, Woman on the Shore II, Encounter in Space, Woman on the Shore I, Two Human Beings The Lonely Ones, Manbathing, The Girls on the Bridge, Towards the Forest II (top to bottom). 1890s-1920.
magictransistor:

Edvard Munch. Woodcuts. Woman’s Head Against the Shore, Melancholy II, Evening Melancholy II, Woman on the Shore II, Encounter in Space, Woman on the Shore I, Two Human Beings The Lonely Ones, Manbathing, The Girls on the Bridge, Towards the Forest II (top to bottom). 1890s-1920.
magictransistor:

Edvard Munch. Woodcuts. Woman’s Head Against the Shore, Melancholy II, Evening Melancholy II, Woman on the Shore II, Encounter in Space, Woman on the Shore I, Two Human Beings The Lonely Ones, Manbathing, The Girls on the Bridge, Towards the Forest II (top to bottom). 1890s-1920.
magictransistor:

Edvard Munch. Woodcuts. Woman’s Head Against the Shore, Melancholy II, Evening Melancholy II, Woman on the Shore II, Encounter in Space, Woman on the Shore I, Two Human Beings The Lonely Ones, Manbathing, The Girls on the Bridge, Towards the Forest II (top to bottom). 1890s-1920.
magictransistor:

Edvard Munch. Woodcuts. Woman’s Head Against the Shore, Melancholy II, Evening Melancholy II, Woman on the Shore II, Encounter in Space, Woman on the Shore I, Two Human Beings The Lonely Ones, Manbathing, The Girls on the Bridge, Towards the Forest II (top to bottom). 1890s-1920.

magictransistor:

Edvard Munch. Woodcuts. Woman’s Head Against the Shore, Melancholy II, Evening Melancholy II, Woman on the Shore II, Encounter in Space, Woman on the Shore I, Two Human Beings The Lonely Ones, Manbathing, The Girls on the Bridge, Towards the Forest II (top to bottom). 1890s-1920.

(via goghst)

“I have no idea how he knows when I need him. We can go weeks without speaking, and then, when my blue moods threaten to turn black, he will show up and tell me my moods are:
azure
indigo
cerulean
cobalt
periwinkle
and suddenly the blue will not seem so dark, more like the color of a noon-bright sky.
He brings the sun.”
— The Realm of Possibility (David Levithan)

(via nockturn)

“Do I contradict myself?
Very well then I contradict myself,
(I am large, I contain multitudes.)”
— Walt Whitman (via observando)

(via nminusone)

“What passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human […] is probably to be unavoidably sentimental and naïve and goo-prone and generally pathetic.”
— David Foster Wallace, Infinite Jest  (via goghst)

(via goghst)

“I have so much to say to you that I am afraid I shall tell you nothing.”
— Fyodor Dostoevsky (via requiemforthepast)

(via daddyfuckedme)

adapto:

Body comparative #47 (1,2) adapto:

Body comparative #47 (1,2)

adapto:

Body comparative #47 (1,2)

(via moon--cave)